It’s not information overload, it’s filter failure.
My father is an artist, art historian, and conservator of painting. One of his roles when I was growing up in the 80s, was Curator of Painting at the Prince of Wales Museum in Mumbai. I had the unique privilege of being exposed to a range of art as a result. Art from the great Indian contemporary painters like M.F. Hussain and Sabavala, to the European greats like Rubens, to painted, sculpted, and gilded masterpieces from ancient India.
I realized back then, that this was an unbounded and fascinating world filled with millions of creations. It took a bit longer to realize that I had by my side, one of the best “filters” for helping me discern the attributes of great art: my father and his band of fellow scholars. When they pointed to a piece of art and agreed (or disagreed) that it was great (or not), it came from years of training, observation, and research, culminating in what we might call discerning taste. If they had an algorithm to identify art they liked, it was only in their sub-conscious, intuitive, matured over time and complex like a fine wine. Equally interesting were their stories associated with the art and artists; bringing them to life, adding a whole other dimension to the decision. Suddenly, a somewhat imperfect piece of art became worthy of restoration or acquisition with the backdrop of story and history.
Somewhere along the way we lost this expert human filter to the online world and need to bring it back.